July 6 – I started my official plaster internship with John Canning Painting & Conservation Studios on a preservation/conservation project involving a McKim Mead & White building on the campus of the University of Virginia. Below are pictures of the ornamental ceiling we are charged with conserving. More information to come…
As previously mentioned, I was able to work for the University of Virginia while I waited for my official internship to start. During these two weeks I was busy repairing fireplace surrounds as well as wall and ceiling damage. I attempted to help the Facilities team skim coat the plaster walls with sheetrock mud, but quickly realized that my skills with plaster didn’t readily transfer to sheetrock mud. Though not surprised by the difference in tactile quality, I was shocked at the difference in its application. I knew that if I continued to work the way I had, my team members would have to follow behind me and repair my attempts, so I found other ways I could help the team. This technique needs to be revisited, for I know I will be encountering something similar in the future.
A portion of my 2010 summer break was spent working at the University of Virginia. Originally, I was scheduled to start an internship with Connecticut-based John Canning Painting & Conservation Studios at the University starting mid-June; however, true to typical construction projects (in my limited experience), this was pushed back several weeks. While I waited for this internship to start, I was given the opportunity to work with the Facilities team at UVa repairing and prepping dorm rooms for the fall semester incoming honor students.
The honor dorm rooms are located off the east and west sides of the Lawn, a large field in the middle of was is known as the Academical Village. Each suite of dorms is connected to a Pavilion, a residence for a tenured professor where he/she invites students for lectures, discussion or dinner. The honor student must apply for the dorm room, submit an essay, be actively involved with the University and community and be of high academic standing. Only one of every 20 applicants is accepted to reside in the dorms, so it is an honor to live in these tiny rooms without bathroom facilities. One must use a community bathroom located in a separate building to shower and use the bathroom.
Much of the work completed during this two week stretch of time was cosmetic. I had a hard time accepting the team’s use of sheetrock mud skimmed over the original plasterwork. This just did not make much sense to a plaster student who has been taught to be a “purest” when it comes to plaster. I found out weeks afterward that this method is widely used; however, hydraulic lime is normally added to the mud to give it a more plaster-like look, feel and durability. My role in the cosmetic work was to repair large holes and loose plaster within the rooms and repair the fireplace surrounds which were made of plaster. This work was rather straight forward.
An observation I found troubling was the apparent lack of use of the original picture railing in each of these rooms. We were skim coating these rooms and repairing blemishes caused by students hammering, drilling and prodding walls with all types of hanging devises. If the use of the picture rails was enforced, the Facilities team could prolong this work by many years, saving the University a lot of money.
Based on a photograph taken at the University of Notre Dame, this piece was completed as a wedding gift for my brother and his wife who met while attending the University. The most difficult part of this piece was free-handing the arch of the dome without the aid of a drawing curve.
Size: 11″ x 8.75″
Black ink on white paper
I am the proud father of a 6 Lb. 9 oz. baby boy. Aiden was born on Monday, November 9, 2009 at 11:21PM. His mother, Katerina, started contracting that morning, pushing at 6:45PM and had a C-section later that evening. Both mother and baby are doing great and recovering.
I couldn’t be prouder or love my incredible wife more during this whole pregnancy. She has nurtured our son and provided him a wonderful home for 9 (actually 10) months. She was impressively strong throughout the entire labor and kept positive until the doctor determined the baby insisted on staying inside his familiar home. This little guy couldn’t have a better mother.
Pictures to come.
The last week of my internship was all about pointing. I mentioned earlier in the internship that I wanted to do more pointing. Careful what you wish for! Actually, I thoroughly enjoyed doing it, but the perfectionist side of me reared its ugly head once again. So I had to squash it once again!
I spent half of my time pointing the Study and the rest of the time pointing the vestibule between the Butler’s Pantry and Kitchen, as well as the remaining Kitchen pieces and finally the Staff Office. The Study was the only room with the ornate, heavy cornice. The other rooms had a simpler cove cornice.
Pointing the Study presented several welcomed challenges. The first was replacing several of the acanthus leaf lobes that were broken off during installation. This required cutting a set of decent lobes from a scrap piece of cornice and plastering them into place. It was fun watching a broken piece become one again.
The other challenge was found in the mitre joints where the two walls merged together. A bit a creative license was used in order to create a believable joint. For example, portions of two eggs in the egg-and-dart ornamentation were removed and replaced by a much thinner egg that I built up between the neighboring darts. Leaf details were shortened and/or extended to create a seamless transition.
The challenge with the cove cornice found in the other rooms was found by the size of my hands and less by the shape of the cove. Interior mitre joints were initially difficult because I had to find comfortable ways of applying and removing material. But once I discovered the right technique and hand movement, the job became easier and more manageable.